Showing posts with label Australia. Show all posts
Showing posts with label Australia. Show all posts

Friday, August 1, 2014

Monkey's Marginalia No 15



1.  Unpopular Ford models & the McKay's review

Edsel B. Grimshaw is a direct reference to 3 (or 4) unpopular Ford Models.

  • Ford Edsel-models falling under the Edsel marque (1958-1960)
  • Ford Model B (1904-1906, 1932-34)
  • Ford Pinto (1971-1980) The reference to the Pinto comes from Grimshaw v. Ford Motor Co.
The Ford Motor Co. was obviously established by Henry Ford, who used the assembly lines and fair wages for his own employees to make the automobile affordable for the middle class.  He also used most of his vast personal wealth to create the Ford Foundation.  As with several historical figures, sometimes their works are a mixed bag; Ford was also known for his anti-union activities, and as the author of some anti-semitic pamphlets. 

Also of note is the Mercury(!) brand or marque sold under the Ford Motor Co. umbrella.  The Pinto was sold as the rebadged Mercury Bobcat in Canada and the U.S. 


2.  Possible design for the obsidian pieces? 

3.  Arquimedes des Sobreiro is a corkscrew...

The Greek Archimedes invented a form of water pump called the Archimedes screw.  Sobreiro means cork tree.   Playing around with the words a little, I got corkscrew and water tree (a plant found in Australia). 

4.  The first two words (not titles) of the last 4 sections of the book rearrange to say "there is a man shrouded in the territory."





Saturday, January 18, 2014

Monkey's Marginalia, No 6

The Monkey's Marginalia
a gathering of the random bits....

1. This is totally a wagtail (as far as I can tell now), but this would have been a cool name for this blog.


2.  Juan Blas Covarrubias, the last Spanish pirate is completely fiction.  However, one of the last Spanish pirates, Benito Bonito, is rumored to have buried his treasure near Melbourne or Queenscliff in Australia. 

Covarrubias may be a reference to the 16th century Spanish lexicographer, cryptographer, chaplain and writer, Sebastian de Covarrubias, who wrote Tesoro de la lengua castellana o espaƱola. (note: you'll need to use a translator on the wiki link since it is in Spanish)  Covarrubias may also be a reference to the artist or a character in the X-files. 

3.  The overcoat plays a prominent role in SOT,  Proust was know for his stylish overcoast, and just as known for wearing it regardless of weather or season.  Lovecraft's overcoat was stolen in New York City. 

4.  Eric, in a fit of despair floods Standefer Hall.  
  • Standefer v. United States, basically a bribery case. 
  • Robin Standefer is part of the team Standefer and Alesch, who are building and interior designers.  Previously, they were involved in film and their work can be seen here, here and here. 




(8/3/14 edited for grammar, clarity and tags added) 




Friday, January 17, 2014

Non-Euclidean references to Lovecraft? (part 1)

I'll admit, I'm a bit of a Lovecraft junkie, so something started something ticking in my brain like some alien parasite and then again with the recent discussions regarding Antarctica and Australia catching my eye.  His is a narrative that is almost Victorian in nature; his protagonists include their own thoughts and correspondences in the storytelling.  He uses deep geological time, long almost endless eons, to track the ticking of time.  Weird magic and awful creatures bedevil humanity and cause their downfall.

And apparently I wasn't wrong.  In researching this post I did find an interview on CNN's website
Honestly, I don't know yet if the there are non-Euclidean references, but I couldn't help myself.

Lovecraft, a man reclusive in nature, and who used the Encyclopaedia Britanica for many of his stories became the father of modern horror and inspired legions of authors who came after.  He was a voracious reader and managed truly prodigious amounts of correspondence with his circle of friends, many of whom were writers themselves. He was no stranger to libraries and was a devoted lover of books.  It is well documented that during his time in New York, he was a frequent visitor to the New York Public Library.

Although the first story I am going to reference was written by Caitlin R. Kiernan, it was written for the Lovecraft universe.  Pickman's Other Model (1929) first appeared in print in 2008 and is a direct reference to the short story by Lovecraft, Pickman's Model.  Interesting are the references to lost films and there is a mouth sewn shut!  The story is available in The Black Wings of Cthulhu, edited by S. T. Joshi.

S. finds himself in a strange city in which the street lamps seem to make the building appear at odd angles; "this is a city of ancient and flawed geometries." (page 4)

And a little later we find a reference to deepness of time, "...all through the strata of civilizations..." that Lovecraft was so fond of. (page 10 of Ship of Theseus)

Anybody who knows Lovecraft, knows he like his buildings strange and alien; ancient and confounding.

From The Call of Cthulhu:
"It was Rodriguez the Portuguese who climbed up the foot of the monolith and shouted of what he had found. The rest followed him, and looked curiously at the immense carved door with the now familiar squid-dragon bas-relief. It was, Johansen said, like a great barn-door; and they all felt that it was a door because of the ornate lintel, threshold, and jambs around it, though they could not decide whether it lay flat like a trap-door or slantwise like an outside cellar-door. As Wilcox would have said, the geometry of the place was all wrong. One could not be sure that the sea and the ground were horizontal, hence the relative position of everything else seemed phantasmally variable."

Although The Horror at Red Hook will never be considered Lovecraft's best work (in part due to its racism and in part due to its flawed magical constructs that were cribbed directly from an encyclopedia), there is a passage that I think is still relevant in this discussion.

"He had for some time been detailed to the Butler Street station in Brooklyn when the Red Hook matter came to his notice. Red Hook is a maze of hybrid squalor near the ancient waterfront opposite Governor's Island, with dirty highways climbing the hill from the wharves to that higher ground where the decayed lengths of Clinton and Court Streets lead off toward the Borough Hall. Its houses are mostly of brick, dating from the first quarter to the middle of the nineteenth century, and some of the obscurer alleys and byways have that alluring antique flavour which conventional reading leads us to call 'Dickensian'...It is a babel of sound and filth, and sends out strange cries to answer the lapping oily waves at its grimy piers and the monstrous organ litanies of the harbour whistles."

And then we have Australia.

In his story, The Shadow out of Time begins with Nathaniel Wingate Peaslee who experiences an episode of amnesia which destroys his family and disrupts his life for a period of approximately 5 years and 4 months, May 1908 to September 1913. He comes to find out that he switched bodies with a member of an older race when he goes on a journey of discovery. His journey takes him to the Northwest quadrant of Australia. 22° 3' 14" South Latitude, 125° 0' 39" East Longitude, to be exact where he uncovers the secret of his amnesia.

Lost in a maze of dark corridors and rooms he is forced to flee for his life from a dark menace known by its strange footprints and whistling calls.

"Then, just as I approached that primal basalt crypt I had so dreaded, utter madness came. For as the echoes of the avalanche died down, there became audible a repetition of that frightful alien whistling I thought I had heard before. This time there was no doubt about it - and what was worse, it came from a point not behind but ahead of me.
Probably I shrieked aloud then. I have a dim picture of myself as flying through the hellish basalt vault of the elder things, and hearing that damnable alien sound piping up from the open, unguarded door of limitless nether blacknesses. There was a wind, too - not merely a cool, damp draught, but a violent, purposeful blast belching savagely and frigidly from that abominable gulf whence the obscene whistling came.
There are memories of leaping and lurching over obstacles of every sort, with that torrent of wind and shrieking sound growing moment by moment, and seeming to curl and twist purposefully around me as it struck out wickedly from the spaces behind and beneath."

Peasless survives his ordeal, but is almost unhinged. He decides to document what he knows so that he can warn his son. 


We know that the crew of the ship uses whistles to communicate and to coordinate their tasks.  And perhaps even more relevant is the fact that S. "looks away whenever a crewman reaches for the whistle around his neck to plug it between his lips.  The last thing a man needs with no memories is terrible new ones." (pp. 42-43)


Part 2 will feature Anarctica, strange colours and goo.